The Church of St Eustache is one of the most
important churches in Paris. Standing near the
Louvre and the Royal Palace, St Eustache was
known as a Royal Church from the 17th century
until the French Revolution.
The original church, situated in an area of Paris
renowned for fresh produce of all kinds, was
built in 1223, thanks to a man named Alais who
raised funds by taxing the baskets of fish sold
nearby. Alais constructed a chapel dedicated to
Sainte-Agnès, a Roman martyr. The
construction of the current church began in 1532,
the work not being finally completed until 1637.
The name "Saint-Eustache" refers to Saint
Eustace, a Roman general who was burned along
with his family for converting to
Christianity.
Situated at the entrance to Paris’ ancient
markets (Les Halles) and the beginning of the
famous rue Montorgueuil, the Eglise de
Saint-Eustache is another Parisian gothic gem.
During the French Revolution the church was (like
most churches in Paris) desecrated and looted,
and used for a time as a barn. However, several
impressive paintings by Rubens remain in the
church today.
Numerous major events have marked its history.
Richelieu, Jeanne Antoinette Poisson (the future
Marquess de Pompadour) and Molière were
baptised there. The young Louis XIV celebrated
communion in St. Eustache Church, and the
funerals of La Fontaine, Wolfgang Amadeus
Mozart's mother, and many other celebrities took
place here. The writer Voiture, the grammarian
Vaugelas, Furetière, the harlequin
Dominique Bensérade and Scaramouche are
buried in the church.
The world-wide reputation of the St Eustache is
due not only to its splendid architecture, but
also to its musical tradition. The marriage of
Lulli, the last organ recital of Remeau, the
concerts of Berlioz, Franck, Liszt and many
others are examples. In 1963 Jean Guillou, an
accomplished virtuoso and improviser of great
talent and promoter and interpreter of modern
music for the organ, was appointed organist at St
Eustache. Each summer, organ concerts commemorate
the premieres of Berlioz’s Te Deum and
Liszt’s Messiah here in 1886.
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The first organ was built in the 16th century and
several instruments followed right up to the 20th
century. The present organ case, which is 18
metres high, was built in the middle of the 19th
century following the plans of the architect
Baltard. The organ was altered in 1880 and in
1910 numerous other modifications were made.
Following the disastrous results of works
initiated in 1978 the City of Paris decided, in
1985, to organise a competition in order to have
the organ rebuilt. The contract was ultimately
awarded to the Dutch firm of Van den
Heuvel.
Building the new instrument began in 1986 and
the organ was completed in the organ builder's
assembly hall in August 1988. At that time it was
fully playable (with exception of the display
pipes which, together with the case, were
strongly anchored to the walls of the Saint
Eustache church). Towards the end of 1988 the
instrument was dismantled, shipped to Paris and
reinstalled on the gallery. Works were finished
by summer 1989 and a dedicatory recital was held
on 21 September 1989.
The Van den Heuvel organ is completely new except
for the case with its display pipes and a few
stops which were reused, amongst them the Cor de
Basset 8' made by the famous English organ
builder Henry Willis for Joseph Bonnet, organist
of Saint Eustache from 1906 to 1943. The present
organ has 101 stops which operate 8000 pipes on
five manuals.
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